Why Was Colin Farrell A Bag Of Nerves At Elizabeth Taylor’s Funeral?

by • March 30, 2011 • Books, Hollywoodland, LGBTComments (0)3308

Like me, I’m sure many people were surprised to hear that Colin Farrell was not only in attendance at Elizabeth Taylor’s funeral (read more about that on an older post of mine HERE), but that she had requested him in particular to be the person who would recite a poem at her ceremony.  I had no idea they were even friends, but apparently they became quite fond of eachother over the past year and a half.  Here’s what he told Access Hollywood in an interview this week: “I was just lucky enough to become her friend in the last year and a half,” he said. “I adore her… still.” As previously reported on AccessHollywood.com, Colin recited Gerard Manley Hopkins’ poem, “The Leaden Echo and the Golden Echo” at her funeral and he revealed it was the actress herself who picked out the material. “Elizabeth chose it. It was a tricky poem as well,” Colin laughed. “Even in passing she had me under the thumb, sweating bricks.” Colin said someone else passed along the “A Place in the Sun” actress’ funeral reading request, and it was an offer he couldn’t refuse. “She asked someone else to ask me [to read it],” Colin explained, adding he felt, “sad and honored” when he got the call. “I just miss her; I just miss her; I just miss her,” he added. Here is the Manley Hopkins poem in its entirety:

How to kéep—is there ány any, is there none such, nowhere known some, bow or brooch or braid or brace, láce, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, beauty, … from vanishing away?
Ó is there no frowning of these wrinkles, rankéd wrinkles deep,
Dówn? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No there ’s none, there ’s none, O no there ’s none,
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age’s evils, hoar hair,
Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O there ’s none; no no no there ’s none:
Be beginning to despair, to despair,
Despair, despair, despair, despair.

Not within the singeing of the strong sun,
Tall sun’s tingeing, or treacherous the tainting of the earth’s air,
Somewhere elsewhere there is ah well where! one,
Oné. Yes I can tell such a key, I do know such a place,
Where whatever’s prized and passes of us, everything that ’s fresh and fast flying of us, seems to us sweet of us and swiftly away with, done away with, undone,
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matchèd face,
The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,
Never fleets móre, fastened with the tenderest truth
To its own best being and its loveliness of youth: it is an everlastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant, girlgrace—
Resign them, sign them, seal them, send them, motion them with breath,
And with sighs soaring, soaring síghs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver.
See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then why
When the thing we freely fórfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept.—Where kept? Do but tell us where kept, where.—
Yonder.—What high as that! We follow, now we follow.—Yonder, yes yonder, yonder,

When I looked up this poem online the first things I noticed were two YouTube videos featuring Richard Burton’s reading of this poem, and I realized that there is something of his memory embedded in this as well.  I would love to know the story of why this poem had so much significance for her, but we will probably never know.  What we can know is it’s almost certain that Richard recited this many times for her in their long relationship together:

Source: Dlisted and Access Hollywood

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